This is only my fifth blog entry and I have often referenced some development concerning African Americans in cities and
how it reminds me of another. Though not entirely, Neil Levi’s thoughts about memory as it
relates to comparisons especially those concerning the Holocaust resonate. He
writes, “If you know stories about other nations, the story of one will
inevitably remind you of the story of another. Stories of national singularity
rarely sound as singular as those who tell would wish.” I want to now emphasize my own awareness of how context and other issues are very important to how we
understand that which seems “similar.” That said, I return again to the idea of
how African American bodies in the United States have appeared beside non-African
American
bodies, and do so by focusing on residential arrangements in cities via two literary
works:
“…I
can remember the houses went White, White, White, Japanese, White, White.
Across the street and down the next two blocks were about the same except there
was more Japanese, two Chinese and a Philippines house on the corner by the
woods. Down Crowley was where all the Negro houses started.” – Lynda Barry, The Good Times are Killing Me
“The house had been let go a bit. A white
neighbor, Maureen Iris Vistin, who lived on the corner across the street, had
come over several times to clean Mary’s room or bring her something hot to eat,
or just fruit, juice, or soup. Mr. Lee at the grocery store gave her credit
when she needed it. He knew he would be paid.” – J. California Cooper, Some People, Some Other Place
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